SigMT

SigMT Vol13 Iss 3

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SiG MT 46 of her favorite topic: trees. Translucent plexiglass frames and clear panels lend themselves to a more contemporary and modern approach to landscape artistry. e layers are held together with screws and bolts adding an industrial touch. en there's the color: "My color palee is unexpected in a way. My fauvist coloration lends itself to pop art as well as abstract expressionism," James says. How does James work on multiple layers with such precision? "A lot of times I will leave my grid system in the painting as another way of revealing the process," she says. If something doesn't look right, James changes her perspective. "I look at it in a mirror. Or you can stand on your head or bend over and look at it between your legs. en you can see what's wrong with it. If you just stare at something, you can miss a lot. You have to change the way you are looking at it." Art enthusiasts and novices are equally enchanted by her trees. Why? "ere is mystery in trying to understand an approach to art you've never seen before," says James. "From a distance, my work may look "Me and My Friends" Acrylic on Multi-Panel Acrylic Glass 40" x 40"

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